The Hands-On Guide from HAMM HAMM's Hands-On Guide to Compaction in Asphalt Paving and Soil Construction explains the interrelationships from physics and soil mechanics as well as the machine technology used in our rollers. In addition, this practical guide provides information on the various layers in road construction and earthworks. In 2019, HAMM AG was awarded two major design prizes for its 'Autonomous Roller F1', a study on autonomously operating rollers: Learn more At HAMM, the developers are thinking not only about the next machine generation; they are also focused on the effects that current megatrends will have on road construction in general and on compaction in.MIROSLAV PHILHARMONIK CUSTOM RULES
EDITED 2012.08.18
After some time of tuning and tweaking the Miroslav library, I decided to put together a set of rules and presets for Miro. Changes are not so drastic, but the important thing is the implementation of more techniques and effects like glissandos and fluttertongue even in instruments that didn't had that particular recorded sample. For that matter, it wasn't enough just to code the rules, and most of the presets needed to be edited. So, I managed to fix the missing Bass Clarinet, all wind instruments have fluttertongue -either by a recorded sample or a tremolo effect if no sample existed-. Strings and some winds (clarinet, brass) are able to do portamento-style glissandos, with or without tremolo / flutter. All strings have sordino and sul ponticello sounds. Articulation is more precise: staccatos under a slur aren't played as staccatos but as detaché / mezzo-staccato, end of slurs are slightly shorter and softer, and non-slur notes are slightly detaché, to improve phrasing, and dynamics were fine tuned.
Please, all comments are welcome, specially if you have questions, or think that something could be improved.
To use the rules, it's necessary to replace the content of the folder:
EDITED 2012.08.18
Miroslav Philharmonik 2 Award From flowing legatos to visualized pizzicatos, from exciting spiccatos to exquisite staccatos and from the subtlest pianissimo to the best fortissimo, Miroslav Philharmonik 2 enables you to draw raw melodic feeling and feeling from each and every note. IK Multimedia Miroslav Philharmonik 1.1.2 + Sounds Updater 7.1 GB Excellent library of orchestral instruments, second only to the massive product of East West. Unfortunately, I have a version without a sampler, and adapted for the IK Multimedia SampleTank (included). However, in the 'native' sampler changed only design - the same engine. Miroslav Philharmonik 2 comes with 4 of the best analog modeled mastering effects from IK's powerful T-RackS mixing and mastering suite — the Black 76, White 2A and Model 670 limiters plus the Tube Program EQ. Now you have the power to 'master' you final mix without ever having to leave Miroslav Philharmonik 2! Miroslav Philharmonik - Sibelius Sound Set User Manual 8 03 House Styles A majority of our sample library integrations include House Style files in the.lib for. SampleTank, Miroslav Philharmonik, Sonik Synth, SampleMoog, SampleTron, Xpansion Tank series and all Powered by SampleTank instruments and sounds for Mac/PC. Miroslav Philharmonik 2 The new orchestra with legendary soul. Miroslav Philharmonik 2 Info; Specs; Versions; Images; Media; BUY NOW Miroslav Philharmonik 2 Videos and Audio. Overview Videos × Audio demo. Miroslav Philharmonik 2.
After some time of tuning and tweaking the Miroslav library, I decided to put together a set of rules and presets for Miro. Changes are not so drastic, but the important thing is the implementation of more techniques and effects like glissandos and fluttertongue even in instruments that didn't had that particular recorded sample. For that matter, it wasn't enough just to code the rules, and most of the presets needed to be edited. So, I managed to fix the missing Bass Clarinet, all wind instruments have fluttertongue -either by a recorded sample or a tremolo effect if no sample existed-. Strings and some winds (clarinet, brass) are able to do portamento-style glissandos, with or without tremolo / flutter. All strings have sordino and sul ponticello sounds. Articulation is more precise: staccatos under a slur aren't played as staccatos but as detaché / mezzo-staccato, end of slurs are slightly shorter and softer, and non-slur notes are slightly detaché, to improve phrasing, and dynamics were fine tuned.
Please, all comments are welcome, specially if you have questions, or think that something could be improved.
To use the rules, it's necessary to replace the content of the folder:
(programs)/notion 3/support/PlugInData/PLK
with the PLK folder in the .rar file.
Download
- Miro_Rules_and_presets_2012_08_18.rar
- Miroslav Rules and Presets
- (868.44 KiB) Downloaded 1159 times
Please, backup your current rules and presets before using these.
Also, thanks to pcartwright, dgriffee and Erufalion for their contribution to these forums . I'd be lost if it wasn't for their work on Rules.
USAGE:
The rules are pretty automatic. Only the Glissandos/portamento effects need some tweaking to work properly.
HOW TO CREATE REALISTIC GLISSANDOS/SLIDES:
With these rules, instruments in Miroslav can play seamless glissandi (portamento) between two or more notes and at 3 different speeds. But In order to work, the following conditions are required:
-The notes must be linked by the Slide up or Slide Down lines, from the palette (shortcut ')
-At least the LAST note has to have one of these techniques attached to it (of course the attachments can be hidden):
'slide' for quick slides.
'gliss. up' or 'gliss. down' for normal portamento
'gliss. up slow' or 'gliss. down slow' for slow portamento.
-The notes must overlap for portamento to work, so it's necessary to edit their durations by dragging the gray lines in the Sequencer Overlay. Actually, a realistic glide is achieved by antecipating the second note, otherwise the glissandi starts too late.
Here you can see how to write the glissandi so they work:
NEW: SOLFEGE CHOIR
A split M/F choir that spells NOTE NAMES!
I edited the MIXED CHOIR preset and created rules so the Choir now sings note names! I want to believe I thought about an educational tool and also a choir that sounds more realistic and dramatic by spelling different sylabes thru the melodies. And also as a better alternative to 'Vocal' for song writing. But the truth is that I did this for FUN!
To tell the choir to say the notes, you have to place a 'custom sounds 1' technique marking (done by typing Apostrophe then S and 1). Otherwise the Choir just sings 'Ah' as usual. You can use the 'normale' technique to 'turn off' note names anytime.
This is how it sounds:
DETAILED LOG:
Here I provide detailed information on what was done with the original rules and presets.
BASS CLARINET FIXED :
-Fixed the absent Bass Clarinet problem by 'hacking' a byte in the Bass Clarinet preset file!
[Note: previously, there was no Bass Clarinet, and there were 2 Clarinet presets in the Miroslav instrument list in Notion, because the instrument-id inside the file was set to 12004 (clarinet) instead of 12051. I didn't know how to fix it by other means .]
'slide' for quick slides.
'gliss. up' or 'gliss. down' for normal portamento
'gliss. up slow' or 'gliss. down slow' for slow portamento.
-The notes must overlap for portamento to work, so it's necessary to edit their durations by dragging the gray lines in the Sequencer Overlay. Actually, a realistic glide is achieved by antecipating the second note, otherwise the glissandi starts too late.
Here you can see how to write the glissandi so they work:
NEW: SOLFEGE CHOIR
A split M/F choir that spells NOTE NAMES!
I edited the MIXED CHOIR preset and created rules so the Choir now sings note names! I want to believe I thought about an educational tool and also a choir that sounds more realistic and dramatic by spelling different sylabes thru the melodies. And also as a better alternative to 'Vocal' for song writing. But the truth is that I did this for FUN!
To tell the choir to say the notes, you have to place a 'custom sounds 1' technique marking (done by typing Apostrophe then S and 1). Otherwise the Choir just sings 'Ah' as usual. You can use the 'normale' technique to 'turn off' note names anytime.
This is how it sounds:
- solfege_choir.mp3
- Choir Singing Note Names
- (419.49 KiB) Downloaded 789 times
DETAILED LOG:
Here I provide detailed information on what was done with the original rules and presets.
BASS CLARINET FIXED :
-Fixed the absent Bass Clarinet problem by 'hacking' a byte in the Bass Clarinet preset file!
[Note: previously, there was no Bass Clarinet, and there were 2 Clarinet presets in the Miroslav instrument list in Notion, because the instrument-id inside the file was set to 12004 (clarinet) instead of 12051. I didn't know how to fix it by other means .]
FRENCH HORN:
-A FF horn sample was set in channels 15 and 16, triggered by high velocities only, as a layer to brighten horn sounds in forte to fortissimo dynamics.
CLARINET TRILLS:
[Note: the Clarinet is the only Miroslav instrument that has both 1/2 and 1 step trills samples. All the other instruments have to do played trills]
-Added trill samples to channels 15 and 16 of the clarinet preset file. Had to Tune up the whole trill using the Miroslav interface tuning, because the starting note was 75 cents lowert a quarter tone lower. Maybe it has been expanded digitally.
-Added a rule to play the sampled trills (only on the clarinet).
TREMOLO / FLUTTERTONGUE
-Added channel 11 with digital tremolo effect to simulate tremolo/fluttertongue/roll to the following instrument presets: clarinet, bass clarinet, trombone, bass trombone, trombones, trumpet, trumpets, oboe, oboes, bassoon, english horn, bassoons. [*An LFO could be used in the future for more precise control of this tremolo]
-added channel 11 with Flute fluttertongue sound to the Piccolo preset.
-Added a rule to also play tremolo (switch to channel 11) when 'fluttertongue' technique is written on the score.
GLISSANDOS:
-Added channels 4 and 5 with Miroslav 'legato' mode (for portamento), and mapped Portamento (Gliss) control to CC20 in those channels, to the following instrument presets: clarinet, bass clarinet, trombone, bass trombone, violin, viola, violas, violoncello, cellos, contrabass, double basses, clarinets, trombones, trumpet, tuba, fr. horn, trumpets
-Channel 5 was created in most instruments for tremolo/flutter glissando. Again, added a digital tremolo effect to the channel if no tremolo/flutter sample was available.
PHRASING / ARTICULATION:
Added rule to shorten and soften notes at the end of slur. This works fine to separate phrases, breaths and bows. (Thanks dgriffee for his work on the general phrasing rules).
Added rules to play staccato under slur as detaché/mezzo-staccato. [note: in most instruments, slurred staccato means mezzo-staccato. In bowed strings it means detaché notes using a single bow stroke. This rule works fine in all cases]
Added rules to play non-slurred note as detaché, reducing its duration a little.
-A FF horn sample was set in channels 15 and 16, triggered by high velocities only, as a layer to brighten horn sounds in forte to fortissimo dynamics.
CLARINET TRILLS:
[Note: the Clarinet is the only Miroslav instrument that has both 1/2 and 1 step trills samples. All the other instruments have to do played trills]
-Added trill samples to channels 15 and 16 of the clarinet preset file. Had to Tune up the whole trill using the Miroslav interface tuning, because the starting note was 75 cents lowert a quarter tone lower. Maybe it has been expanded digitally.
-Added a rule to play the sampled trills (only on the clarinet).
TREMOLO / FLUTTERTONGUE
-Added channel 11 with digital tremolo effect to simulate tremolo/fluttertongue/roll to the following instrument presets: clarinet, bass clarinet, trombone, bass trombone, trombones, trumpet, trumpets, oboe, oboes, bassoon, english horn, bassoons. [*An LFO could be used in the future for more precise control of this tremolo]
Miroslav Philharmonik 2 Manual
-added channel 11 with Flute fluttertongue sound to the Piccolo preset.
-Added a rule to also play tremolo (switch to channel 11) when 'fluttertongue' technique is written on the score.
GLISSANDOS:
-Added channels 4 and 5 with Miroslav 'legato' mode (for portamento), and mapped Portamento (Gliss) control to CC20 in those channels, to the following instrument presets: clarinet, bass clarinet, trombone, bass trombone, violin, viola, violas, violoncello, cellos, contrabass, double basses, clarinets, trombones, trumpet, tuba, fr. horn, trumpets
-Channel 5 was created in most instruments for tremolo/flutter glissando. Again, added a digital tremolo effect to the channel if no tremolo/flutter sample was available.
Miroslav Philharmonik 2 Manual Pdf
-Added rules to play portamento (for clarinet, strings and brass glissandos and timpani glides). Rules may work with any instrument that can do slides as far as the channels 4 and 5 are set up in the presets.PHRASING / ARTICULATION:
Added rule to shorten and soften notes at the end of slur. This works fine to separate phrases, breaths and bows. (Thanks dgriffee for his work on the general phrasing rules).
Added rules to play staccato under slur as detaché/mezzo-staccato. [note: in most instruments, slurred staccato means mezzo-staccato. In bowed strings it means detaché notes using a single bow stroke. This rule works fine in all cases]
Added rules to play non-slurred note as detaché, reducing its duration a little.
The Hands-On Guide from HAMM HAMM's Hands-On Guide to Compaction in Asphalt Paving and Soil Construction explains the interrelationships from physics and soil mechanics as well as the machine technology used in our rollers. In addition, this practical guide provides information on the various layers in road construction and earthworks. In 2019, HAMM AG was awarded two major design prizes for its 'Autonomous Roller F1', a study on autonomously operating rollers: Learn more At HAMM, the developers are thinking not only about the next machine generation; they are also focused on the effects that current megatrends will have on road construction in general and on compaction in.MIROSLAV PHILHARMONIK CUSTOM RULES
EDITED 2012.08.18
After some time of tuning and tweaking the Miroslav library, I decided to put together a set of rules and presets for Miro. Changes are not so drastic, but the important thing is the implementation of more techniques and effects like glissandos and fluttertongue even in instruments that didn't had that particular recorded sample. For that matter, it wasn't enough just to code the rules, and most of the presets needed to be edited. So, I managed to fix the missing Bass Clarinet, all wind instruments have fluttertongue -either by a recorded sample or a tremolo effect if no sample existed-. Strings and some winds (clarinet, brass) are able to do portamento-style glissandos, with or without tremolo / flutter. All strings have sordino and sul ponticello sounds. Articulation is more precise: staccatos under a slur aren't played as staccatos but as detaché / mezzo-staccato, end of slurs are slightly shorter and softer, and non-slur notes are slightly detaché, to improve phrasing, and dynamics were fine tuned.
Please, all comments are welcome, specially if you have questions, or think that something could be improved.
To use the rules, it's necessary to replace the content of the folder:
(programs)/notion 3/support/PlugInData/PLK
with the PLK folder in the .rar file.
Download
Please, backup your current rules and presets before using these.
Also, thanks to pcartwright, dgriffee and Erufalion for their contribution to these forums . I'd be lost if it wasn't for their work on Rules.
USAGE:
The rules are pretty automatic. Only the Glissandos/portamento effects need some tweaking to work properly.
HOW TO CREATE REALISTIC GLISSANDOS/SLIDES:
With these rules, instruments in Miroslav can play seamless glissandi (portamento) between two or more notes and at 3 different speeds. But In order to work, the following conditions are required:
-The notes must be linked by the Slide up or Slide Down lines, from the palette (shortcut ')
-At least the LAST note has to have one of these techniques attached to it (of course the attachments can be hidden):
'slide' for quick slides.
'gliss. up' or 'gliss. down' for normal portamento
'gliss. up slow' or 'gliss. down slow' for slow portamento.
-The notes must overlap for portamento to work, so it's necessary to edit their durations by dragging the gray lines in the Sequencer Overlay. Actually, a realistic glide is achieved by antecipating the second note, otherwise the glissandi starts too late.
Here you can see how to write the glissandi so they work:
NEW: SOLFEGE CHOIR
A split M/F choir that spells NOTE NAMES!
I edited the MIXED CHOIR preset and created rules so the Choir now sings note names! I want to believe I thought about an educational tool and also a choir that sounds more realistic and dramatic by spelling different sylabes thru the melodies. And also as a better alternative to 'Vocal' for song writing. But the truth is that I did this for FUN!
To tell the choir to say the notes, you have to place a 'custom sounds 1' technique marking (done by typing Apostrophe then S and 1). Otherwise the Choir just sings 'Ah' as usual. You can use the 'normale' technique to 'turn off' note names anytime.
This is how it sounds:
DETAILED LOG:
Here I provide detailed information on what was done with the original rules and presets.
BASS CLARINET FIXED :
-Fixed the absent Bass Clarinet problem by 'hacking' a byte in the Bass Clarinet preset file!
[Note: previously, there was no Bass Clarinet, and there were 2 Clarinet presets in the Miroslav instrument list in Notion, because the instrument-id inside the file was set to 12004 (clarinet) instead of 12051. I didn't know how to fix it by other means .]
FRENCH HORN:
-A FF horn sample was set in channels 15 and 16, triggered by high velocities only, as a layer to brighten horn sounds in forte to fortissimo dynamics.
CLARINET TRILLS:
[Note: the Clarinet is the only Miroslav instrument that has both 1/2 and 1 step trills samples. All the other instruments have to do played trills]
-Added trill samples to channels 15 and 16 of the clarinet preset file. Had to Tune up the whole trill using the Miroslav interface tuning, because the starting note was 75 cents lowert a quarter tone lower. Maybe it has been expanded digitally.
-Added a rule to play the sampled trills (only on the clarinet).
TREMOLO / FLUTTERTONGUE
-Added channel 11 with digital tremolo effect to simulate tremolo/fluttertongue/roll to the following instrument presets: clarinet, bass clarinet, trombone, bass trombone, trombones, trumpet, trumpets, oboe, oboes, bassoon, english horn, bassoons. [*An LFO could be used in the future for more precise control of this tremolo]
-added channel 11 with Flute fluttertongue sound to the Piccolo preset.
-Added a rule to also play tremolo (switch to channel 11) when 'fluttertongue' technique is written on the score.
GLISSANDOS:
-Added channels 4 and 5 with Miroslav 'legato' mode (for portamento), and mapped Portamento (Gliss) control to CC20 in those channels, to the following instrument presets: clarinet, bass clarinet, trombone, bass trombone, violin, viola, violas, violoncello, cellos, contrabass, double basses, clarinets, trombones, trumpet, tuba, fr. horn, trumpets
-Channel 5 was created in most instruments for tremolo/flutter glissando. Again, added a digital tremolo effect to the channel if no tremolo/flutter sample was available.
PHRASING / ARTICULATION:
Added rule to shorten and soften notes at the end of slur. This works fine to separate phrases, breaths and bows. (Thanks dgriffee for his work on the general phrasing rules).
Added rules to play staccato under slur as detaché/mezzo-staccato. [note: in most instruments, slurred staccato means mezzo-staccato. In bowed strings it means detaché notes using a single bow stroke. This rule works fine in all cases]
Added rules to play non-slurred note as detaché, reducing its duration a little.
MORE STRING TECHNIQUES:
Added channels 12 (mute) and 13 (mute staccato) with the best possible sounds to all string instruments.
Added channels 14 (sul ponte) and 15 (sul ponte tremolo) with the best possible sounds to the strings.
**If no mute or ponticello sample existed, a normal sound was equalized to simulate these techniques.
FURTHER NOTES AND MIROSLAV LIMITATIONS:
Octave transposition in instruments like Piccolo, Double Bass, Tuba, etc. isn't working right away, even with the original rules and presets. The octave transposition is set correctly in the Staff Settings dialog, but it only takes effect is the user opens and closes the dialog. I don't know how to fix it.
Viola doesn't have a looped tremolo but a sound was created using an effect. Timpani doesn't have a looped roll, only crescendo short rolls, and the tremolo effect doesn't work in this case.
-Emilio Le RouxHi
I downloaded all the sound libraries overnight and like others had the file path problem when I came to extract them to the default location. I saved them to my desktop as a workaround, and then collated them into a desktop sub-folder. From there I ran each individual installer to the default location.
I had many failed installation attempts with different libraries, but after over 7 hours of installing - multiple attempts, re-downloading, reboots etc I have got all but one of the sound libraries installed. However the first sound library will simply not install. Multiple downloads, probably 15 different installation attempts, and all I ever get is this message:
'The Mirolslav Philharmonik Sound Content (1 of 16) installation failed. Unable to copy instruments.'
I have enough HD space and my system is stable. I'm pretty unimpressed so far with my new IK Multimedia product. I've submitted a ticket to support and I'm hoping for a quick solution. I don't want to be told to 'try re-downloading and installing again' though as I think I've rinsed and repeated enough.
EDITED 2012.08.18
Miroslav Philharmonik 2 Award From flowing legatos to visualized pizzicatos, from exciting spiccatos to exquisite staccatos and from the subtlest pianissimo to the best fortissimo, Miroslav Philharmonik 2 enables you to draw raw melodic feeling and feeling from each and every note. IK Multimedia Miroslav Philharmonik 1.1.2 + Sounds Updater 7.1 GB Excellent library of orchestral instruments, second only to the massive product of East West. Unfortunately, I have a version without a sampler, and adapted for the IK Multimedia SampleTank (included). However, in the 'native' sampler changed only design - the same engine. Miroslav Philharmonik 2 comes with 4 of the best analog modeled mastering effects from IK's powerful T-RackS mixing and mastering suite — the Black 76, White 2A and Model 670 limiters plus the Tube Program EQ. Now you have the power to 'master' you final mix without ever having to leave Miroslav Philharmonik 2! Miroslav Philharmonik - Sibelius Sound Set User Manual 8 03 House Styles A majority of our sample library integrations include House Style files in the.lib for. SampleTank, Miroslav Philharmonik, Sonik Synth, SampleMoog, SampleTron, Xpansion Tank series and all Powered by SampleTank instruments and sounds for Mac/PC. Miroslav Philharmonik 2 The new orchestra with legendary soul. Miroslav Philharmonik 2 Info; Specs; Versions; Images; Media; BUY NOW Miroslav Philharmonik 2 Videos and Audio. Overview Videos × Audio demo. Miroslav Philharmonik 2.
After some time of tuning and tweaking the Miroslav library, I decided to put together a set of rules and presets for Miro. Changes are not so drastic, but the important thing is the implementation of more techniques and effects like glissandos and fluttertongue even in instruments that didn't had that particular recorded sample. For that matter, it wasn't enough just to code the rules, and most of the presets needed to be edited. So, I managed to fix the missing Bass Clarinet, all wind instruments have fluttertongue -either by a recorded sample or a tremolo effect if no sample existed-. Strings and some winds (clarinet, brass) are able to do portamento-style glissandos, with or without tremolo / flutter. All strings have sordino and sul ponticello sounds. Articulation is more precise: staccatos under a slur aren't played as staccatos but as detaché / mezzo-staccato, end of slurs are slightly shorter and softer, and non-slur notes are slightly detaché, to improve phrasing, and dynamics were fine tuned.
Please, all comments are welcome, specially if you have questions, or think that something could be improved.
To use the rules, it's necessary to replace the content of the folder:
(programs)/notion 3/support/PlugInData/PLK
with the PLK folder in the .rar file.
Download
- Miro_Rules_and_presets_2012_08_18.rar
- Miroslav Rules and Presets
- (868.44 KiB) Downloaded 1159 times
Please, backup your current rules and presets before using these.
Also, thanks to pcartwright, dgriffee and Erufalion for their contribution to these forums . I'd be lost if it wasn't for their work on Rules.
USAGE:
The rules are pretty automatic. Only the Glissandos/portamento effects need some tweaking to work properly.
HOW TO CREATE REALISTIC GLISSANDOS/SLIDES:
With these rules, instruments in Miroslav can play seamless glissandi (portamento) between two or more notes and at 3 different speeds. But In order to work, the following conditions are required:
-The notes must be linked by the Slide up or Slide Down lines, from the palette (shortcut ')
-At least the LAST note has to have one of these techniques attached to it (of course the attachments can be hidden):
'slide' for quick slides.
'gliss. up' or 'gliss. down' for normal portamento
'gliss. up slow' or 'gliss. down slow' for slow portamento.
-The notes must overlap for portamento to work, so it's necessary to edit their durations by dragging the gray lines in the Sequencer Overlay. Actually, a realistic glide is achieved by antecipating the second note, otherwise the glissandi starts too late.
Here you can see how to write the glissandi so they work:
NEW: SOLFEGE CHOIR
A split M/F choir that spells NOTE NAMES!
I edited the MIXED CHOIR preset and created rules so the Choir now sings note names! I want to believe I thought about an educational tool and also a choir that sounds more realistic and dramatic by spelling different sylabes thru the melodies. And also as a better alternative to 'Vocal' for song writing. But the truth is that I did this for FUN!
To tell the choir to say the notes, you have to place a 'custom sounds 1' technique marking (done by typing Apostrophe then S and 1). Otherwise the Choir just sings 'Ah' as usual. You can use the 'normale' technique to 'turn off' note names anytime.
This is how it sounds:
- solfege_choir.mp3
- Choir Singing Note Names
- (419.49 KiB) Downloaded 789 times
DETAILED LOG:
Here I provide detailed information on what was done with the original rules and presets.
BASS CLARINET FIXED :
-Fixed the absent Bass Clarinet problem by 'hacking' a byte in the Bass Clarinet preset file!
[Note: previously, there was no Bass Clarinet, and there were 2 Clarinet presets in the Miroslav instrument list in Notion, because the instrument-id inside the file was set to 12004 (clarinet) instead of 12051. I didn't know how to fix it by other means .]
FRENCH HORN:
-A FF horn sample was set in channels 15 and 16, triggered by high velocities only, as a layer to brighten horn sounds in forte to fortissimo dynamics.
CLARINET TRILLS:
[Note: the Clarinet is the only Miroslav instrument that has both 1/2 and 1 step trills samples. All the other instruments have to do played trills]
-Added trill samples to channels 15 and 16 of the clarinet preset file. Had to Tune up the whole trill using the Miroslav interface tuning, because the starting note was 75 cents lowert a quarter tone lower. Maybe it has been expanded digitally.
-Added a rule to play the sampled trills (only on the clarinet).
TREMOLO / FLUTTERTONGUE
-Added channel 11 with digital tremolo effect to simulate tremolo/fluttertongue/roll to the following instrument presets: clarinet, bass clarinet, trombone, bass trombone, trombones, trumpet, trumpets, oboe, oboes, bassoon, english horn, bassoons. [*An LFO could be used in the future for more precise control of this tremolo]
Miroslav Philharmonik 2 Manual
-added channel 11 with Flute fluttertongue sound to the Piccolo preset.
-Added a rule to also play tremolo (switch to channel 11) when 'fluttertongue' technique is written on the score.
GLISSANDOS:
-Added channels 4 and 5 with Miroslav 'legato' mode (for portamento), and mapped Portamento (Gliss) control to CC20 in those channels, to the following instrument presets: clarinet, bass clarinet, trombone, bass trombone, violin, viola, violas, violoncello, cellos, contrabass, double basses, clarinets, trombones, trumpet, tuba, fr. horn, trumpets
-Channel 5 was created in most instruments for tremolo/flutter glissando. Again, added a digital tremolo effect to the channel if no tremolo/flutter sample was available.
Miroslav Philharmonik 2 Manual Pdf
-Added rules to play portamento (for clarinet, strings and brass glissandos and timpani glides). Rules may work with any instrument that can do slides as far as the channels 4 and 5 are set up in the presets.PHRASING / ARTICULATION:
Added rule to shorten and soften notes at the end of slur. This works fine to separate phrases, breaths and bows. (Thanks dgriffee for his work on the general phrasing rules).
Added rules to play staccato under slur as detaché/mezzo-staccato. [note: in most instruments, slurred staccato means mezzo-staccato. In bowed strings it means detaché notes using a single bow stroke. This rule works fine in all cases]
Added rules to play non-slurred note as detaché, reducing its duration a little.
MORE STRING TECHNIQUES:
Added channels 12 (mute) and 13 (mute staccato) with the best possible sounds to all string instruments.
Added channels 14 (sul ponte) and 15 (sul ponte tremolo) with the best possible sounds to the strings.
**If no mute or ponticello sample existed, a normal sound was equalized to simulate these techniques.
FURTHER NOTES AND MIROSLAV LIMITATIONS:
Octave transposition in instruments like Piccolo, Double Bass, Tuba, etc. isn't working right away, even with the original rules and presets. The octave transposition is set correctly in the Staff Settings dialog, but it only takes effect is the user opens and closes the dialog. I don't know how to fix it.
Viola doesn't have a looped tremolo but a sound was created using an effect. Timpani doesn't have a looped roll, only crescendo short rolls, and the tremolo effect doesn't work in this case.
-Emilio Le RouxHi
I downloaded all the sound libraries overnight and like others had the file path problem when I came to extract them to the default location. I saved them to my desktop as a workaround, and then collated them into a desktop sub-folder. From there I ran each individual installer to the default location.
I had many failed installation attempts with different libraries, but after over 7 hours of installing - multiple attempts, re-downloading, reboots etc I have got all but one of the sound libraries installed. However the first sound library will simply not install. Multiple downloads, probably 15 different installation attempts, and all I ever get is this message:
'The Mirolslav Philharmonik Sound Content (1 of 16) installation failed. Unable to copy instruments.'
I have enough HD space and my system is stable. I'm pretty unimpressed so far with my new IK Multimedia product. I've submitted a ticket to support and I'm hoping for a quick solution. I don't want to be told to 'try re-downloading and installing again' though as I think I've rinsed and repeated enough.
Miroslav Philharmonik 2 Ce
Miroslav Philharmonik 2 Download
I'm running Windows 7 Premium 64bit SP1, 16gig RAM, i7-2600k @ 3.40GHz